The door was once ajar for flowing ideas and cracking contributions to the project,
I am deeply saddend to announce, however, that the group blog is firmly shut and closed for business.
Most certainly soon to be derelict and left to rot in the sordid world of the internet.
Start Something
Thursday, December 17, 2009
Evaluation Reflections
We chose to do our evaluation in a discussion format and film it. You can see these responses in the posts below and also on our individual blogs with reflections. We feel that it went really well, and a few of the points we wished to expand on have been done so on our individual blogs.
Copyright Infomation
We emailed the record company Visible Noise asing them if it was ok to use the song Lost Prophets - Start Something for educational purposes as we wanted to get permission to use the song. They, however, didn't get back to us and due to it passing the youtube copyright checks we came to the conclusion that they were ok with it.
Evaluation Question 4
Here are the full videos of our answers to Evaluation Question 4, with some photos of all the technology we used in our project below.
Evaluation Question 1
Here are the full videos of our response to Evaluation Question 1, more detailed and specific videos and evaluation can be found on our individual blogs.
Evaluation Clips
Here are the clips form our own music video that we referenced in our evaluation:
Labels:
Ben,
Evaluation,
Matt,
Nick,
referencing,
Simon
Wednesday, December 16, 2009
Response to the Test Screening
Average Rating
8.5
Age
18 – 67%
17 – 33%
Gender
M – 55%
F – 45%
What Genre do you think this song is?
Metal 35%
Rock 28%
? 7%
Alternative 14%
Hardcore 7%
Are you fans of this sort of music normally?
Yes 67%
No 33% (all female)
Would the video encourage you to buy the album?
Yes 33% (all male)
No 67%
What magazine would you expect to review this album?
Kerrang 50%
Scuzz 25%
NME 25%
Was the bands image convincing throughout the performance?
100%
Would you watch the video again?
Yes 78%
No 22%
What did you like about the video?
Slo mo 33%
Editing 44%
Performance 33%
Mise en scene 33%
Costume 22%
Camerawork 22%
Lighting 55%
What did you dislike about the video?
Locations 11%
Song 22%
Ending 11%
Editing 22%
Costume 11%
Nothing 22%


8.5
Age
18 – 67%
17 – 33%
Gender
M – 55%
F – 45%
What Genre do you think this song is?
Metal 35%
Rock 28%
? 7%
Alternative 14%
Hardcore 7%
Are you fans of this sort of music normally?
Yes 67%
No 33% (all female)
Would the video encourage you to buy the album?
Yes 33% (all male)
No 67%
What magazine would you expect to review this album?
Kerrang 50%
Scuzz 25%
NME 25%
Was the bands image convincing throughout the performance?
100%
Would you watch the video again?
Yes 78%
No 22%
What did you like about the video?
Slo mo 33%
Editing 44%
Performance 33%
Mise en scene 33%
Costume 22%
Camerawork 22%
Lighting 55%
What did you dislike about the video?
Locations 11%
Song 22%
Ending 11%
Editing 22%
Costume 11%
Nothing 22%



Cues for our evaluation
Friday, December 11, 2009
Tuesday, December 8, 2009
Video + MySpace + Album Cover Links
Here are the videos, websites, and album covers, mentioned in our evaluation.
Every Time I Die - 'Wanderlust' : Where the idea of individual shots came from and vocalist walking down the corridor. Vocalist clothes also change when it moves to individual location. It is also mainly peformance with some concept thrown into the mix. Vocalist addresses audition as well.
Every Time I Die - Wanderlust on MUZU
Pantera - '5 Minutes Alone' : Lots of close ups and ECUs. Entirely performance based. Cut to beat and focuses on music. Dark lighting with spots on instruments. Cuts to instruments at important parts.
Every Time I Die - 'Wanderlust' : Where the idea of individual shots came from and vocalist walking down the corridor. Vocalist clothes also change when it moves to individual location. It is also mainly peformance with some concept thrown into the mix. Vocalist addresses audition as well.
Every Time I Die - Wanderlust on MUZU
Pantera - '5 Minutes Alone' : Lots of close ups and ECUs. Entirely performance based. Cut to beat and focuses on music. Dark lighting with spots on instruments. Cuts to instruments at important parts.
Labels:
Album Cover,
Ben,
Evaluation,
inspiration,
Matt,
Myspace,
Nick,
referencing,
Simon
Monday, December 7, 2009
Ideas for our questionaire
Below are some ideas of questions we might like to ask our audience when they come to see our music video on Tuesday. I will create a document of them and if you want to add more questions we can.
Name:
Age:
Peferred type of music genre:
Does the video look like a music video you would see on TV?
Has the video entertained you?
Can you describe the idea behind the video?
Do you think the video represents the type of genre we have chosen?
What music channel would you expect to see the video on?
What kind of music magazine would you expect to see the video reviewed in?
Does the image of the band look realistic?
Would you want to see it again?
Would you pay for a download or copy of the music video?
What was your favourite moment in the video?
Do you have any critisisms of the music video (please be honest)?
Name:
Age:
Peferred type of music genre:
Does the video look like a music video you would see on TV?
Has the video entertained you?
Can you describe the idea behind the video?
Do you think the video represents the type of genre we have chosen?
What music channel would you expect to see the video on?
What kind of music magazine would you expect to see the video reviewed in?
Does the image of the band look realistic?
Would you want to see it again?
Would you pay for a download or copy of the music video?
What was your favourite moment in the video?
Do you have any critisisms of the music video (please be honest)?
Labels:
Audience Feedback,
Evaluation,
Matt,
Questionaire
Audience Feedback Screening
On Tuesday 8th December we are holding our audience feedback screening where people of our target audience (and possibly from outside our audience) can come and see our video. They will also carry out a questionnaire. Simon has also created a Facebook group in an attempt to let people know when and where it will be taking place.
Thursday, December 3, 2009
Wednesday, November 25, 2009
BLK Feedback
While the others were in the process of shooting the school play, Miss B looked over our myspace and album cover.
MySpace
Photos can't look like they're in a classroom
Promotional info needs to stand out, different font? colour?
Video needs embedding
Album Cover
Font for the tracks appears jumbled
Nothing new, everything is on the myspace. - Maybe we could embed the YouTube where the MS Shots are and take those for the cover?
CD section could stand out more
MySpace
Photos can't look like they're in a classroom
Promotional info needs to stand out, different font? colour?
Video needs embedding
Album Cover
Font for the tracks appears jumbled
Nothing new, everything is on the myspace. - Maybe we could embed the YouTube where the MS Shots are and take those for the cover?
CD section could stand out more
Labels:
Ben,
BLK,
Feedback,
Post-Production,
Production
Tuesday, November 24, 2009
Final Track Names
After sharing my ideas with the group...
These are the final track names for our self titled debut album!
Start Something
Martyrdom
Slaves to the Waves
The Great Leviathan
Wolverines!
Empty Vessels (Make The Loudest Noise)
The Sailors Vest
Killhouse ft. The Ones They Left Behind
OH CRUSTACEAN
One Shot. One Kill.
The Kronstadt Rebellion
Last Stand
These are the final track names for our self titled debut album!
Start Something
Martyrdom
Slaves to the Waves
The Great Leviathan
Wolverines!
Empty Vessels (Make The Loudest Noise)
The Sailors Vest
Killhouse ft. The Ones They Left Behind
OH CRUSTACEAN
One Shot. One Kill.
The Kronstadt Rebellion
Last Stand
Labels:
Ben,
cover,
Meeting,
Post-Production,
Production
Potential Track Names
I've been remonstrating about potential track names for the Tear Down The Flagship debut album, here are some before I forget.
Lethargic
Empty Vessal
Intervention
Endgame
Wolverines!
The Enemy of My Enemy Is My Friend
For The Record
Blowtorch and Corkscrew
Killhouse
Just Like Old Times
One Shot. One Kill.
Kronstadt
Ponyri
Lethargic
Empty Vessal
Intervention
Endgame
Wolverines!
The Enemy of My Enemy Is My Friend
For The Record
Blowtorch and Corkscrew
Killhouse
Just Like Old Times
One Shot. One Kill.
Kronstadt
Ponyri
Labels:
Ben,
inspiration,
Planning,
Post-Production,
research
Saturday, November 14, 2009
Second Draft of Myspace
http://www.myspace.com/teardowntheflagship
feed back to me what we want changed, obviously we still need;
Photo shoot
album cover
font for all the titles
feed back to me what we want changed, obviously we still need;
Photo shoot
album cover
font for all the titles
Wednesday, November 11, 2009
FIRST DEMO OF THE MYSPACE NOW ONLINE
Hi guys, after mine and Ben's myspace meeting today, I went home and turned the design into a rough myspace page. Have a look at it whenever possible and feedback straight away so we can keep designing. I think it's pretty good :)
Note, it will only work perfectly on internet explorer due to some of the encoding, e.g. the pictures turning to colour when scrolled over only working on internet explorer.
Enjoy
http://www.myspace.com/teardowntheflagship
Note, it will only work perfectly on internet explorer due to some of the encoding, e.g. the pictures turning to colour when scrolled over only working on internet explorer.
Enjoy
http://www.myspace.com/teardowntheflagship
BLK Feedback
Miss saw our sequence today and gave some very valuable feedback. The main concern was that behind a very convincing performance there is no idea or 'hook' to the music video.
However, with that being said she thought the roughness of it was like a big jam session and advised we play on that idea as it is somewhat a good one - 5 band members putting heart and soul in to their music and just rocking it out in a plain and simple room.
We agreed that the cutting of the video was for the most part spot on and instead we should look in detail more at the order of shots as it could do with some improving - the flow is spoilt a little bit in places because of this. It is however, a rough cut and not finished so we will definately spruce things up and make changes and improvements.
However, with that being said she thought the roughness of it was like a big jam session and advised we play on that idea as it is somewhat a good one - 5 band members putting heart and soul in to their music and just rocking it out in a plain and simple room.
We agreed that the cutting of the video was for the most part spot on and instead we should look in detail more at the order of shots as it could do with some improving - the flow is spoilt a little bit in places because of this. It is however, a rough cut and not finished so we will definately spruce things up and make changes and improvements.
Labels:
BLK,
Feedback,
Matt,
Post-Production,
Production
Logo Fonts
I've been trawling dafont.com for some lovely sans serif typefaces for our band logo.
Here are my favourites, tell me what you think
Harabara
U-Bahn
Susanna
Josef Pro
MK Abel
Wendelin
Francophil Sans
Here are my favourites, tell me what you think
Harabara
U-Bahn
Susanna
Josef Pro
MK Abel
Wendelin
Francophil Sans
Labels:
Ben,
cover,
inspiration,
Marketing,
Production,
research
Tuesday, November 10, 2009
Myspace and Email details IMPORTANT
Hi guys, I set us up an email and a myspace music account today so that we can get straight on with that part of the project. Here are the details:
Email:
teardowntheflagship@hotmail.com
Password:
blackborow
Myspace:
teardowntheflagship@hotmail.com
Password:
flagship1
Email:
teardowntheflagship@hotmail.com
Password:
blackborow
Myspace:
teardowntheflagship@hotmail.com
Password:
flagship1
Monday, November 9, 2009
Tuesday, October 13, 2009
Through the Wall shot
Here's the finished through the wall shot, more information on my own individual blog if needed.
http://latymermusicvideo09ben.blogspot.com/2009/10/shot-inspiration-going-through-wall.html
http://latymermusicvideo09ben.blogspot.com/2009/10/shot-inspiration-going-through-wall.html
Labels:
Ben,
inspiration,
Location,
Main Shoot,
Matt,
Planning,
Simon,
Test Shoot
Test Shoot
The test shoot has been scheduled for Thursday 15th October 4:00 pm in Ms DYM's room. We will be testing all of our shots and taking photos so we can construct a storyboard. Be there or be square.
Shoot Responsibilities
Nick:
Lighting equipment, assigned costume, things on Props List, Straighteners!
Simon:
Tripod, assigned costume
Matt:
Camera equipment, assigned costume, things on Props List, Strobe Light
Ben:
Dolly
Lighting equipment, assigned costume, things on Props List, Straighteners!
Simon:
Tripod, assigned costume
Matt:
Camera equipment, assigned costume, things on Props List, Strobe Light
Ben:
Dolly
Monday, October 12, 2009
Shooting Schedule
Here is our shooting schedule for this Saturday. Make amendments if you notice anything wrong or that could be better with it:
Shooting Schedule
Day
Setup 1 – Vocalist in cramped room individual from MOVE till breakdown.
• Improv of vocalist without microphone.
Setup 2 – Guitarist in Lift from MOVE till end.
• Improv of guitarist with stack.
Setup 3 – Band in Corner: Play Song Until just after 1,2,3,4 MOVE!
Wides:
• Other side of wall with vocalist in band.
• Wide Master Shot from Front.
• Wide From Side, camera on floor capturing feet.
CUs:
• Vocals Close Up.
• Matt Close Up.
• Nick Close Up.
• Dave Close up.
• Drums side angle from low tom.
• Constant arc back and forth around drum kit.
Improvs:
• Camera improvisation run throughs. X2
Night
Setup 4– Band against windows: Play song from MOVE till end.
Wides:
• Constant wide arc of band on dolly.
CUs:
• Vocals Close Up.
• Matt Close Up.
• Nick Close Up.
• Dave Close Up.
• HA of drum kit.
• CU of kick pedal.
• Constant arc back and forth around drum kit.
Improvs:
• Camera improvisation run throughs. X2
Setup 5– Guitarist in room next to main play from MOVE till end.
• Improv of strobing guitarist
Setup 6- Vocalist in hallway
• Tracks of feet
• Crab into wall as vocalist enters band room.
Shooting Schedule
Day
Setup 1 – Vocalist in cramped room individual from MOVE till breakdown.
• Improv of vocalist without microphone.
Setup 2 – Guitarist in Lift from MOVE till end.
• Improv of guitarist with stack.
Setup 3 – Band in Corner: Play Song Until just after 1,2,3,4 MOVE!
Wides:
• Other side of wall with vocalist in band.
• Wide Master Shot from Front.
• Wide From Side, camera on floor capturing feet.
CUs:
• Vocals Close Up.
• Matt Close Up.
• Nick Close Up.
• Dave Close up.
• Drums side angle from low tom.
• Constant arc back and forth around drum kit.
Improvs:
• Camera improvisation run throughs. X2
Night
Setup 4– Band against windows: Play song from MOVE till end.
Wides:
• Constant wide arc of band on dolly.
CUs:
• Vocals Close Up.
• Matt Close Up.
• Nick Close Up.
• Dave Close Up.
• HA of drum kit.
• CU of kick pedal.
• Constant arc back and forth around drum kit.
Improvs:
• Camera improvisation run throughs. X2
Setup 5– Guitarist in room next to main play from MOVE till end.
• Improv of strobing guitarist
Setup 6- Vocalist in hallway
• Tracks of feet
• Crab into wall as vocalist enters band room.
Labels:
Planning,
Shooting Schedule,
Simon,
Test Shoot
Shot List
FINAL SHOT LIST
Introductory Approach Shots
- Vertically flipped shots of Simon walking into the band
CU Track of feet from behind
CU Track of feet from side
Stationary LS of feet
Crab up to wall (night)
Crab from other side of wall (day)
Day
CU of Simon grabbing the mic - 45 degrees (Master vocalist shots)
Master Wide shot of band in LS
Arcs around band from LS and MS
Wide from Side, Floor Level Camera, LS of feet and legs
CU of Backing vocalist
CU and MS of guitarist and CU of guitar in riffs
CU of bassist and bass guitar
Side angle from low tom on drummers
HA MS Arc around kit
Improvisation shots (2 runthroughs)
Night
Master Wide LS, tracking and arcing back and forth
CU LA and HA of vocalist
CU of backing vocals
CU of guitarist and CU of guitar in riffs
CU of bassist and bass guitar
EHA of Drums
CU of drum kick pedal
Arcs around kit MS LA
Improvisation shots (2 runthroughs)
Individuals
Guitarist in lift with Stack
Vocalist in dirty dark room
Drums in room off of master room
Vocalist with two guitarists in lift, Vocalist clawing at the bars.
Introductory Approach Shots
- Vertically flipped shots of Simon walking into the band
CU Track of feet from behind
CU Track of feet from side
Stationary LS of feet
Crab up to wall (night)
Crab from other side of wall (day)
Day
CU of Simon grabbing the mic - 45 degrees (Master vocalist shots)
Master Wide shot of band in LS
Arcs around band from LS and MS
Wide from Side, Floor Level Camera, LS of feet and legs
CU of Backing vocalist
CU and MS of guitarist and CU of guitar in riffs
CU of bassist and bass guitar
Side angle from low tom on drummers
HA MS Arc around kit
Improvisation shots (2 runthroughs)
Night
Master Wide LS, tracking and arcing back and forth
CU LA and HA of vocalist
CU of backing vocals
CU of guitarist and CU of guitar in riffs
CU of bassist and bass guitar
EHA of Drums
CU of drum kick pedal
Arcs around kit MS LA
Improvisation shots (2 runthroughs)
Individuals
Guitarist in lift with Stack
Vocalist in dirty dark room
Drums in room off of master room
Vocalist with two guitarists in lift, Vocalist clawing at the bars.
Group Meeting - Aftermath
We have decided the final time and location for the test shoot -
We have emailed our location to finalise the shoot this weekend, and have organised times with our actors
Our costumes have been finalised and its all being prepared for the weekend.
We are making headway into sorting out equipment and props for our shoot, Nick rang his dad.
We've compiled a final shot list
All in all a productive meeting
We have emailed our location to finalise the shoot this weekend, and have organised times with our actors
Our costumes have been finalised and its all being prepared for the weekend.
We are making headway into sorting out equipment and props for our shoot, Nick rang his dad.
We've compiled a final shot list
All in all a productive meeting
Friday, October 9, 2009
Test Shoot Footage
Some random assorted clips from our test shoot showing off a couple of angles we'll consider using again.
Group Meeting
A group meeting is now scheduled for P4+5 on Monday, onto lunch if needed.
We should:
Decide a final time for the test shoot
Finalise Test Shoot priorities and compile a list of shots to practice
Go over final shot list
Finalise costume
If anything else comes to mind, we will add it to this post in retrospect.
We should:
Decide a final time for the test shoot
Finalise Test Shoot priorities and compile a list of shots to practice
Go over final shot list
Finalise costume
If anything else comes to mind, we will add it to this post in retrospect.
Test Shoot
We have decided to have another test shoot with the whole band, either in our school's great hall or drama block. We need to arrange a time and day according to when these locations are free and then we'll use our time to practice all our shots and the general look and feel of the band, and how their performance will be staged.
I'll update this post with the planned time when we've decided.
I'll update this post with the planned time when we've decided.
Tuesday, October 6, 2009
GROUP MEETING
Okay in order to have some sort of progress there will be a group meeting period 4 and 5 going in to lunch. If you are in school you need to attend as there is group decisions to be made, if not me and Nick will make them.
A TO'DO List
Due to the recent staleness of the group me and Nick have decided to do a to-do list!
We have put the list in order of priority (bold means done)
1. Decide on date of main shoot and re-shoot
2. Costume/band image
3. Test shoot arrangements (with actors?)
4. Shot List
5. Shooting schedule
6. Storyboarding
7. Prop list
8. Discussion on shooting
9. Responsibilities on shoot
If you can think of any more things to-do then add them to the list!
We have put the list in order of priority (bold means done)
1. Decide on date of main shoot and re-shoot
2. Costume/band image
3. Test shoot arrangements (with actors?)
4. Shot List
5. Shooting schedule
6. Storyboarding
7. Prop list
8. Discussion on shooting
9. Responsibilities on shoot
If you can think of any more things to-do then add them to the list!
Thursday, October 1, 2009
Marketing Campaign for Epic Journeys
The band Epic Journeys are looking to emulate the internet based success of the Arctic Monkeys and Lily Allen. From our research we have discovered both artists were originally based on internet sites (social networks) like myspace. However, Lily Allen has chosen to move towards a more credible way of advertising herself. She has started appearing on more reputable TV shows like Jonathan Ross and using a Twitter feed to let her fans know of her daily activities. She even had her own TV chat show for a while. The Arctic Monkeys are still heavily internet based using myspace and facebook to advertise their band and most of their other coverage being through magazines.
The appeal of myspace is the easy networking with fans, with the ability to upload music, videos, blogs as well as having tour listings and general info about the artist. This is now easy to do on facebook as well so most bands use both to get the best of both social networking audiences.
Our advertising campaign will incorporate mainly the converged media of gaming. We hope to get Epic Journey on the map through the use of their new hit single "World's Away" as the title track of the new action-adventure game Lego Indiana Jones 2 (tying in with the bands theme) and also on the new Fifa game to apply to a broader audience (here we have incorporated, gamers, children and sportsmen). Also the band will have a game on their myspace which when played will unlock various portions of the new album, giving the audience an exclusive listen to previously unreleased material. This is similar to the marketing campaign of MUSE for their recent single "United States of Eurasia" where portions of the song were hidden on USB sticks around the globe. The game will be a platformer where you travel through infinite locations, as the band do themselves in their new music video.
Another marketing strategy is a team up with Virgin Atlantic. As the band are heavily travel based, their song will be used for the company's new holiday adverts where they will promise to take you "World's Away". This will give publicity to the band and a long term partnership with a really really rich guy.
These marketing strategies will help advertise the bands image, music and myspce to gather a fan base worldwide.
The appeal of myspace is the easy networking with fans, with the ability to upload music, videos, blogs as well as having tour listings and general info about the artist. This is now easy to do on facebook as well so most bands use both to get the best of both social networking audiences.
Our advertising campaign will incorporate mainly the converged media of gaming. We hope to get Epic Journey on the map through the use of their new hit single "World's Away" as the title track of the new action-adventure game Lego Indiana Jones 2 (tying in with the bands theme) and also on the new Fifa game to apply to a broader audience (here we have incorporated, gamers, children and sportsmen). Also the band will have a game on their myspace which when played will unlock various portions of the new album, giving the audience an exclusive listen to previously unreleased material. This is similar to the marketing campaign of MUSE for their recent single "United States of Eurasia" where portions of the song were hidden on USB sticks around the globe. The game will be a platformer where you travel through infinite locations, as the band do themselves in their new music video.
Another marketing strategy is a team up with Virgin Atlantic. As the band are heavily travel based, their song will be used for the company's new holiday adverts where they will promise to take you "World's Away". This will give publicity to the band and a long term partnership with a really really rich guy.
These marketing strategies will help advertise the bands image, music and myspce to gather a fan base worldwide.
Wednesday, September 30, 2009
Feedback from Pitch
After a very successful treatment and pitch to the class not much was said to improve upon. We had called our music video performance/concept based using Goodwins key music video theory and the class were a bit puzzled as to where the conept came in to it. We explained that the concept was about doing something, reaching for what you want in life. We explained that this is shown through performance as the energetic performance matches with the lyric 'Start Something'. We have also used feedback to make the decision to swap our vocalist actor. Nick who was originally on vocals in now on guitar and Simon is now lead vocals. It was also mentioned that we needed a clearer structure for the music video. Which is something we need to discuss in our next group meeting.
Labels:
Matt,
Planning,
referencing,
Song Pitch,
Treatment
Sunday, September 27, 2009
Muse - Dead Star
Another Muse song, even more weird and wondeful instrument shots. 0.07, 0.09, 0.42 and 2.41 are all very claustrophobic and different. Also, interestingly it only cost 50 pounds to make. I'll stop posting Muse videos soon, but I'm on a roll!
Labels:
Ben,
inspiration,
Mise en Scene,
Planning,
research
Muse - Hyper Music
Great video, with some energetic camera movement and great close ups which make the feel claustrophobic even in the big room. Nice inspiration. Makes the lack of variety not so noticable. Enjoy!
Labels:
Ben,
inspiration,
Mise en Scene,
Planning,
referencing,
research
Thursday, September 24, 2009
Cancer Bats - Deathsmarch
I stumbled across this video for Cancer Bat's 'Deathsmarch' on the TV and thought that we could gain a lot from it. There are a lot of CU instrument shots we can reference and the mise-en-scene is similar to ours. I believe it will be wise to use some of the shots here. Give it a good watch anyway.
Cancer Bats - Deathsmarch
Cancer Bats - Deathsmarch
Labels:
inspiration,
Mise en Scene,
Planning,
referencing,
research,
Simon
Blue Version
I decided to spruce up the cover by adding some blue and use Nick's font by warping around the waves. I'm not too sure about this effect though, but let me know if you think its an improvement.


Lighting Expenses
Here below are links to the lighting equipment that we would ideally like to buy. We would not order on the internet, but instead go to Enfield for a shopping maybe with a lovely lunch interval.
http://www.maplin.co.uk/Module.aspx?ModuleNo=218015
http://www.maplin.co.uk/Module.aspx?ModuleNo=28569
http://www.maplin.co.uk/Module.aspx?ModuleNo=225770
http://www.maplin.co.uk/Module.aspx?ModuleNo=218015
http://www.maplin.co.uk/Module.aspx?ModuleNo=28569
http://www.maplin.co.uk/Module.aspx?ModuleNo=225770
Tattoo Sleeves
Here is a link to an ebay seller who retailing at a reasonable 4 tattoo sleeves at £12. We would like so very much to purchase these said sleeves with a portion of our designated budget in addition to some awe inspiring strobe lighting components.
We would choose the designs: T6, T8, T14 and T18.
http://cgi.ebay.co.uk/fake-tattoo-sleeve-stocking-temporary-fancy-dress-fun_W0QQitemZ200379777397QQcmdZViewItemQQptZUK_Health_Beauty_Tattoos_BodyArt_SM?hash=item2ea790c175&_trksid=p3286.c0.m14
We would choose the designs: T6, T8, T14 and T18.
http://cgi.ebay.co.uk/fake-tattoo-sleeve-stocking-temporary-fancy-dress-fun_W0QQitemZ200379777397QQcmdZViewItemQQptZUK_Health_Beauty_Tattoos_BodyArt_SM?hash=item2ea790c175&_trksid=p3286.c0.m14
Wednesday, September 23, 2009
Group Meeting today
Other than the final pitch being complete, thought we should put down our conversation about the opening.
We decided today on a few points for the opening:
-The lead guitar lick is very quiet at first so it would be stupid to focus on this guitar only when it's playing as it's not a main focus point. Instead we will use lots of arcs and pans to create a real sense of atmosphere and mise en scene, and also to introduce the different band members and their set up.
-The possibility of the vocalist coming and joining the band rather than starting with them. We have 40 seconds to play with so we can make a continuity sequence of him entering the room and walking towards the band. We thought maybe use lots of LA and tracks making use of our lighting to give the vocalist a sense of enigma, making the viewer intrigued to know who it is.
-During the brief 10 second or so period before the song drops (00:41) we thought we could really mess about with the editing and do lots of weird shots that ignore continuity to match the record scratches in the song. For example we might play around with the ordering of the frames and possibly reverse them to represent the scratching and pulling back of a record when being used on decks.
Can't remember anything else specific we discussed, but I'm sure during the test shoot we can give some stuff a blast :)
We decided today on a few points for the opening:
-The lead guitar lick is very quiet at first so it would be stupid to focus on this guitar only when it's playing as it's not a main focus point. Instead we will use lots of arcs and pans to create a real sense of atmosphere and mise en scene, and also to introduce the different band members and their set up.
-The possibility of the vocalist coming and joining the band rather than starting with them. We have 40 seconds to play with so we can make a continuity sequence of him entering the room and walking towards the band. We thought maybe use lots of LA and tracks making use of our lighting to give the vocalist a sense of enigma, making the viewer intrigued to know who it is.
-During the brief 10 second or so period before the song drops (00:41) we thought we could really mess about with the editing and do lots of weird shots that ignore continuity to match the record scratches in the song. For example we might play around with the ordering of the frames and possibly reverse them to represent the scratching and pulling back of a record when being used on decks.
Can't remember anything else specific we discussed, but I'm sure during the test shoot we can give some stuff a blast :)
Final Group Treatment for the pitch!
The video will consist of three main sets of shots. One in a plain, clean space with the band all dressed in dark clothes, the next in a really messy workspace with very harsh lighting and strobes, and finally 5 individual claustrophobic band member shots. The video will be all performance and concept.
Goodwin
Genre Conventions
Hard Rock. Band layout (Vocalist, 2 guitars, bass, drums), distorted guitars (heavier sound in comparison to acoustic instruments), screaming and clean vocals (screaming adds t3h br00t4lz to the music), fast drums, use of double pedal in the drums, breakdown (slower section with very heavy feel, usually riff based).
Costume/Clothing. (baggy/straight cut jeans and shirts/quite plain/bit grunge/lots of black) Hair cuts (Medium length, styled). Generally dark colours associated with the style of the music (compliments) Generally male band members, young adults.
Live performance, electric guitars (Ibanez, ESP, Jackson, Gibson - these makes have specific tone and look for the music), drums (complicated set up, double pedal, lots of cymbals), electric bass (sometimes keyboard), vocalist as an individual member (not often playing instrument as well). Big equipment (amp stacks).
Audience Profile:
Age : mid teens to young adult (20s). Gender : mixed bag, males for genre (fans of heavy music), girls for sex appeal (apparently hot band). Clothing style, similar to that of the band. Music taste (similar bands e.g. Funeral For a Friend, The Blackout) (generally wider music taste, Lostprophets a half way point between Rock bands and Heavier music. Means quite varied crowd).
Concept
We are challenging conventions by ignoring the lyrics for our concept. Instead we are basing our concept around the performance and the music itself. To achieve this we are using our locations, lighting, editing, and shooting style to visually show the contrasts between the sections in the song. Our only reference back the lyrics is the title “Start Something” which represents the energy that our performance will give.
Iconography - We will use lots of tight camera angles to create visual hooks through out and stick close to our genre conventions. (references : Always, Writing on the Walls/still shots from other videos)
Location BREAKDOWN
The locations will be flicked between to show the contrast in song sections. The verses have quite a pop-punky positive feel to them while the chorus is quite heavy and almost like a beatdown.
The Plain location
The band will be performing in stage layout (drummer centre back, vocalist centre front, guitarists and bass in between). We will have a wide angle and individual band shots here that we will cut between to show a lively and energetic performance. There will be more arcs and pans and slower camera movement to contrast with the messy section.
The lighting, 8 floor lights positioned around the band. Each member has one and the rest are positioned around props (perhaps 3 under drums for extreme lighting). 2 Spot-lights from the side pointing at a slight downwards angle to contrast with the beams of light going up from the floor. There will be calm strobe lighting to add an extra dimension from the back of the band.
The band will be wearing dark colours to contrast the plain room. The lead vocalist will do all singing and the guitarists will do the backing vocals and screaming. Our main focus will be on movement and quite normal camera angles but rarely ever still shots (apart from the wide angle).
The Messy location
This room will be more full lit (lighter than upstairs) with more intense strobe lighting. The band will be less organised and more cluttered, moving all over the place to make the most of the weird equally cluttered location. A lot tighter, more use of handheld (almost all). There will be no wide shot, but lots of individual MS and above of each member to cut between. The band will still be united, and close together, but performing in a less uniformed, more energetic manner. Most of this will come together in the edit and the way we choose to cut it.
Individual Shots
Band separated in different rooms. Isolated performances with a claustrophobic feel. This will be achieved through CU camera work using HA and LA with a lot of movement. The image will be given a slight distort (possibly through a fish eye lens tool in post production) to vary it from the rest of the video. The lighting will be very extreme. It will light up specific parts of the band member leaving the rest of the room in darkness creating a solitary feel and an air of mystery. We will achieve this hopefully through the use of the cameras own backlight (TEST SHOOT) but we may have to resort to a dim spotlight.
Goodwin
Genre Conventions
Hard Rock. Band layout (Vocalist, 2 guitars, bass, drums), distorted guitars (heavier sound in comparison to acoustic instruments), screaming and clean vocals (screaming adds t3h br00t4lz to the music), fast drums, use of double pedal in the drums, breakdown (slower section with very heavy feel, usually riff based).
Costume/Clothing. (baggy/straight cut jeans and shirts/quite plain/bit grunge/lots of black) Hair cuts (Medium length, styled). Generally dark colours associated with the style of the music (compliments) Generally male band members, young adults.
Live performance, electric guitars (Ibanez, ESP, Jackson, Gibson - these makes have specific tone and look for the music), drums (complicated set up, double pedal, lots of cymbals), electric bass (sometimes keyboard), vocalist as an individual member (not often playing instrument as well). Big equipment (amp stacks).
Audience Profile:
Age : mid teens to young adult (20s). Gender : mixed bag, males for genre (fans of heavy music), girls for sex appeal (apparently hot band). Clothing style, similar to that of the band. Music taste (similar bands e.g. Funeral For a Friend, The Blackout) (generally wider music taste, Lostprophets a half way point between Rock bands and Heavier music. Means quite varied crowd).
Concept
We are challenging conventions by ignoring the lyrics for our concept. Instead we are basing our concept around the performance and the music itself. To achieve this we are using our locations, lighting, editing, and shooting style to visually show the contrasts between the sections in the song. Our only reference back the lyrics is the title “Start Something” which represents the energy that our performance will give.
Iconography - We will use lots of tight camera angles to create visual hooks through out and stick close to our genre conventions. (references : Always, Writing on the Walls/still shots from other videos)
Location BREAKDOWN
The locations will be flicked between to show the contrast in song sections. The verses have quite a pop-punky positive feel to them while the chorus is quite heavy and almost like a beatdown.
The Plain location
The band will be performing in stage layout (drummer centre back, vocalist centre front, guitarists and bass in between). We will have a wide angle and individual band shots here that we will cut between to show a lively and energetic performance. There will be more arcs and pans and slower camera movement to contrast with the messy section.
The lighting, 8 floor lights positioned around the band. Each member has one and the rest are positioned around props (perhaps 3 under drums for extreme lighting). 2 Spot-lights from the side pointing at a slight downwards angle to contrast with the beams of light going up from the floor. There will be calm strobe lighting to add an extra dimension from the back of the band.
The band will be wearing dark colours to contrast the plain room. The lead vocalist will do all singing and the guitarists will do the backing vocals and screaming. Our main focus will be on movement and quite normal camera angles but rarely ever still shots (apart from the wide angle).
The Messy location
This room will be more full lit (lighter than upstairs) with more intense strobe lighting. The band will be less organised and more cluttered, moving all over the place to make the most of the weird equally cluttered location. A lot tighter, more use of handheld (almost all). There will be no wide shot, but lots of individual MS and above of each member to cut between. The band will still be united, and close together, but performing in a less uniformed, more energetic manner. Most of this will come together in the edit and the way we choose to cut it.
Individual Shots
Band separated in different rooms. Isolated performances with a claustrophobic feel. This will be achieved through CU camera work using HA and LA with a lot of movement. The image will be given a slight distort (possibly through a fish eye lens tool in post production) to vary it from the rest of the video. The lighting will be very extreme. It will light up specific parts of the band member leaving the rest of the room in darkness creating a solitary feel and an air of mystery. We will achieve this hopefully through the use of the cameras own backlight (TEST SHOOT) but we may have to resort to a dim spotlight.
Band Set Ups
Looking at a multitude of videos from the genre and taking our location in mind, there are quite a few band set ups we could use in our final video. We have three main band set ups in mind at our location, one downstairs, in any configuration that we'll decide after our test shoot. We'll aim for a really edgy set up downstairs to compliment the messy, cluttered environment downstairs.

We are envisaging something a bit different like this set up in the video for Bloodmeat by Protest the Hero


We are envisaging something a bit different like this set up in the video for Bloodmeat by Protest the Hero
Upstairs, our band will perform in a standard circle facing outwards from the middle of the room. However, due to the presence of some rather exciting partition walls the band members will be separated, with some long arc shots rotating around the band. Truly exciting stuff.
Here's a shockingly bad animation I whipped up in a few minutes to illustrate what I mean. It probably won't work very well at doing that.
Also, between the two locations we may include another band set up where the band members are in different rooms, including this lovely lift.
Tuesday, September 22, 2009
Mise en Scene Referencing
There are two videos that I have mentioned a lot over the course of this project for inspiration and I still feel that they are perfect for our idea.
The first is Always by Architects. The performance is in a plain white room and is very open. The band are free to move around and the shooting is very mobile, making every shot interesting to watch. There are some absolutely fantastic angles that I want to duplicate in our project that me and Simon have put in our blog posts about Guitar and Drum stills.
The other is Writing on the Walls by UnderOath. This performance is a complete contrast as the band are crammed into this tiny basement, wearing very dark clothes and there is strobe lighting. It is not particularly strong but more the fact that it creates an air of mystery in the room (maybe I'll rephrase that for the pitch but I was just watching Poirot). All the band shots I THINK (double underline *crosses fingers*) with a fish eye lens at really weird angles and the band members are all very close to each other in this confined space.
I want to use both these concepts in our video to go along with my treatment for Start Something, where the more poppy bits of the track are shown in the clean white and quite large room, whereas the heavier parts are shown to contrast through the sudden claustrophobia and change in shooting style. These powerful mise en scene changes will provide very different performances and help to carry out our concept of energy and its illustration through performance.
The first is Always by Architects. The performance is in a plain white room and is very open. The band are free to move around and the shooting is very mobile, making every shot interesting to watch. There are some absolutely fantastic angles that I want to duplicate in our project that me and Simon have put in our blog posts about Guitar and Drum stills.
The other is Writing on the Walls by UnderOath. This performance is a complete contrast as the band are crammed into this tiny basement, wearing very dark clothes and there is strobe lighting. It is not particularly strong but more the fact that it creates an air of mystery in the room (maybe I'll rephrase that for the pitch but I was just watching Poirot). All the band shots I THINK (double underline *crosses fingers*) with a fish eye lens at really weird angles and the band members are all very close to each other in this confined space.
I want to use both these concepts in our video to go along with my treatment for Start Something, where the more poppy bits of the track are shown in the clean white and quite large room, whereas the heavier parts are shown to contrast through the sudden claustrophobia and change in shooting style. These powerful mise en scene changes will provide very different performances and help to carry out our concept of energy and its illustration through performance.
Labels:
Location,
Mise en Scene,
Nick,
Planning,
referencing
Guitar Stills

1. ECU fret and bridge, canted angle (Architects)
2. 2-shot, fish eye lens, very claustrophobic and weird angle (UnderOath)
2. MS, amp in background to show off bands equipment (Architects)
Light Referencing Ideas
I'm going to look in to different lighting styles within this post, and learn about how lighting creates a feel and a mood in music video. The direction we want to go with the style of our music video can be decided tomorrow when we have a meeting. The first set are of Desaturated and Stylized lighting whereas the second set are Saturated and Colourful.
Labels:
Lighting,
Matt,
Planning,
referencing,
Treatment
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